I was chatting to Sandipan, a fellow sarod player based in Sydney and we were discussing Shri Tejendra Narayan Majumdar (who has guided him) and his style. We got around to discussing some compositions and eventually onto Raga Pilu
Pilu (Piloo) is a light raga with a vast canvas to paint. Mishra Pilu allows tremendous scope for the artist to bring in melodic lines from other ragas.
Pilu belongs to the Kaafi thaat and uses both the Gandhars (Ga). However, in the Mishra (mixed) form, almost all notes are used.
One of the best Pilus on the sarod is by Ustad Amjad Ali Khan. I’ve taken his Teental composition and changed it a bit, however the key characteristics remain, in particular, the ascending antara leading up to the upper Sa from the 9th and use of some ekhara phrases.
Following this, I also remembered a Deepchandi gat (14 beats) popular with sitar players – it has been played by sitar players including Ustad Shahid Parvez:
Then we have a Pilu in Madhaylay Deepchandi (which has been played by Tejendra da), however, I conclude the piece very differently to him, and have essentially simplified the ending…
– I’ll upload the notations shortly.