I woke up on New Year’s Day 2015 with a burning desire to play Raga Des (Desh), a beautiful raga from the Khamaj group of ragas which I’ve written about before….
Of particular interest to me were compositions in fast 12 beat time cycle (Ektaal), and by fast, I mean reasonably fast, much faster than what can be usually played on the sarod (especially in the older styles, who emphasize the plectrum hand more than the hand playing the notes).
However, this approach has great risks – the real possibility of going offkey at any time due to the speed.
So, the only way to get the perfect note is to relax. But if you are rushing at this speed, it’s hard to relax !!
Hence, perfection at this speed can only come from being in a fully meditative state – being one with the composition – from hours and months of practice, to the point that your mind has overcome the mechanical stress of getting the notes out, and is focussing on the nuances instead. A tiny nuance can completely change the whole feeling of the composition.. and this is something that should be spontaeneous, not contrived. That’s the whole appeal of Hindustani Classical Music – the element of spontaenity and surprise…
As a great fan of both the vocal style and that of my teacher -sitar maestro Ustad Shahid Parvez, I concocted two compositions from each of these idioms.
Firstly, the USPK (USPK is shorthand for Ustad Shahid Parvez Khan) composition – what I like about this is the symmetry of the composition. As with everything he plays, there is a method and a plan. I’ve changed everything except the first line, but have tried to keep the same theme going.
The second one is a very famous vocal composition called : Beeti Jata Barkha Ritu
Beeti Jaat Barkha Ritu
Piya Na Aaye, Ae Ri
(O friend, The monsoon season is slipping by,
but my beloved hasn’t come yet)
I forget the second part of the composition, having looked at this a long time ago…
Ideally, I would have played this at a slower speed, because it allows better use of subtle embellishments, which get squeezed out at higher speeds.
Des is such a beautiful raga … compositions in every possible taal abound, so this selection is very niche…