I’ve been a bit late with my posts – but here the latest one covering off more material in Bageshri – this time some select compositions in Drut Teentaal…(Bageshri is such a “big” raga, one could spend years on it..)
I’ve recorded a video showing 7 compositions in Drut Teentaal, some never played on the sarod (e.g. sitar heritage) but all unique in some ways:
First up, without the tabla – is the vocal composition “Balma More Tore Sang”.. sung by many (even fusion bands)
Then the lineup begins with an intricate composition that I learnt from Ustad Shahid Parvez Khan. What is different about this composition is the rhythmic phrasings and long taans, not commonly heard on the sarod.
I then play an old composition from Ustad Amjad Ali Khan from the 60s. I’ve modified the antara by truncating it the first phrase only – which works better for me
Then some traditional compositions in sarod from the Shahjahanpur Gharana, learnt via Shri Sugato Nag
Then two masterpieces by the greatest musicians of the last century: Ustads Bade Ghulam Ali Khan and Amir Khan Sahab.
In particular, as I went back to Ud Amir Khan Sahab’s original rendition of the Bageshri, it really had a profound effect on me in terms of his notes and tone. He managed to say so much in a few notes… we mere mortals can never hope to accomplish that. I now know what Pt Nikhil Banerjee felt when he first heard the legendary Ustad… please read the article here….
Then a self composition that I’m working on.
Next, Bageshri in Rupak… to round out the collection…